Now that Weird Al week is long past, we can mull over the merits — and demerits — of Al Yankovic's new mishmash of novelty music: Mandatory Fun.
For word nerds, there is no question that Word Crimes, a paean to punctuation and grammar sung to the tune of Robin Thicke's Blurred Lines, is verbally very clever — if at times insensitive and inappropriate.
The
song — with lyrics like "You should know when / It's 'less' or it's
'fewer' / Like people who were / Never raised in a sewer" — joins the
pantheon of punctuation-inspired (Punc Rock) tunes, such as Dan Baird's I Love You Periodand Vampire Weekend's potty-mouthed Oxford Comma.
Carl Wilson writes in Slate that you will think Word Crimes is teriff "if, like many of his hard-core fans, you're as much of a grammar pedant as 'Finger-Wagging' Al."
But
the pop parody is catchy. And it does remind us of a tried-and-truism:
Educational material that is embedded in music is often easier to
remember. "Now I've learned my ABC's / Next time won't you sing with
me?"
Melissa K. Corbett, a 5th grade teacher at the
Healthy Learning Academy in Newberry, Fla., writes songs to help her
students learn their lessons. She posts them – and shares them with
other educators, for a fee — on Grammar Songs.
"I find music to be an amazing way to connect students with learning,"
Melissa says. "I write songs to cover grammar, figurative language,
writing skills, reading comprehension skills, and math. Music seems to
reach everybody in some way. "
For decades, educational television shows like Sesame Street and Mister Rogers have used music to teach young people about the world. For Melissa, Schoolhouse Rock!
was the catalyst. "I've always loved music," says Melissa. "Although I
am hearing impaired, most of my fondest memories revolve around music. I
would have to say the Schoolhouse Rock! songs in the 70's and 80's influenced me heavily. I learned so many things through Schoolhouse Rock! that I can still apply to my life today."
For
lifelearners, educational songs continue to teach and delight. Here is
our incomplete list of educational (some more than others) ditties – in
no particular order:
After more than 30 years on the charts, comedian-singer "Weird Al" Yankovic earns his first No. 1 album on the Billboard 200,
as "Mandatory Fun" debuts atop the list. The album is the first comedy
set to top the chart since 1963, and logs the largest sales week for a
comedy album since 1994.
"Mandatory Fun" was released July 15
through Way Moby and RCA Records, and sold 104,000 copies in the week
ending July 20, according to Nielsen SoundScan. It was promoted by a
well-receiveddaily viral video campaign that launched Monday, July 14.
Starting with his parody of Pharrell's "Happy," Yankovic released eight
music videos for the album through the week on various sites, like The
Wall Street Journal, Yahoo, Nerdist, College Humor and YouTube.
"Mandatory"
is the first comedy album to top the Billboard 200 since Allan
Sherman's "My Son, the Nut" spent eight weeks at No. 1 beginning on the
chart dated Aug. 31, 1963. A couple of comedy sets came close since
then, including Steve Martin's No. 2-peaking "A Wild and Crazy Guy" back
in 1978 and a pair of No. 2 Cheech & Chong titles in the early
1970s.
Also, Yankovic's sales week is not only his biggest since SoundScan
started tracking sales in 1991, it’s also the largest for a comedy album
since 1994, when "The Beavis & Butt-Head Experience" sold 118,000
copies in the week ending Jan. 2. That compilation album was presented
by the animated duo, and had comedy skits interspersed with rock songs
from the likes of Anthrax and Aerosmith. (Beavis and Butt-Head also
memorably duetted with Cher on a new rendition of "I Got You Babe.")
In total, "Mandatory Fun" is the third top 10 album for Yankovic, who
previously visited the region with 2006's "Straight Outta Lynwood" (No.
10) and his last album, 2011's "Alpocalypse" (No. 9). The latter debuted
with 44,000 in its first week — less than half of his new album's
first-week sales. (Yankovic's previous best SoundScan-era sales week
came when "Lynwood" bowed with 73,000.)
Yankovic leads a debut-filled top four on the Billboard 200, where Jason Mraz's "Yes!"
starts at No. 2, Rise Against's "The Black Market" bows at No. 3, and
Kidz Bop Kids' "Kidz Bop 26" enters at No. 4. The entire top four has
not been populated by debuts since the Oct. 12, 2013 chart, when Drake's
"Nothing Was the Same" opened at No. 1.
Mraz was initially in a slight battle with Yankovic for the new No. 1
slot, as industry forecasters suggested both "Yes!" and "Mandatory"
would sell around 70,000 to 75,000 copies in their first week.
Ultimately, while both albums sold stronger than forecast, "Mandatory"
blew past expectations.
That said, "Yes!" is the fourth top 10 album for Mraz and second to reach the No. 2 slot. (He has yet to earn a No. 1.) "Yes!" follows 2012's "Love Is a Four Letter Word," which also
debuted and peaked in the runner-up slot, selling 102,000 in its first
week.
Rock band Rise Against nets its fourth top 10 album as
well, as "The Black Market" opens at No. 3 with 53,000. It follows
2011's "Endgame," which debuted and peaked at No. 2 with 85,000.
Kidz
Bop Kids' "Kidz Bop 26" is the fourth and final arrival in the top 10,
as the latest in the kids-sing-the-hits series starts with 46,000. It's
the 40th charting album for the Kidz Bop franchise and the 19th top 10
for the series. The new set features kid-friendly (and kid-sung) covers
of such hits as Pharrell’s "Happy," Katy Perry's "Dark Horse" and One
Direction's "Story of My Life."
More on Weird Al:
While earlier Kidz Bop albums mostly featured anonymous studio
singers, recent sets have focused on branding named talent. The new
album's five young singers (Jayna Brown, Ashlynn Chong, Grant Knoche,
Matthew Martinez and Bredia Santoro) are even on tour, with concert
dates lined up through October.
The "Frozen" soundtrack spends
its 30th straight week in the top five, as it descends 2-5 with 43,000
(down 6 percent). The last album to spend a longer consecutive run in
the top five was Adele's "21," which wrapped a 39-week reign in the
region on Dec. 3, 2011.
Sam Smith's "In the Lonely Hour" dips 3-6
(35,000; down 17 percent), Ed Sheeran's "x" falls 5-7 (24,000; down 32
percent), the "Now 50" album slips 7-8 (23,000; up 4 percent), and Trey
Songz's "Trigga" drops 4-9 (nearly 23,000; down 35 percent).
Blake
Shelton closes out the top 10 with his surging "Based On a True Story
…" album. It vaults 63-10 with 22,000 — up a whopping 386 percent. The
album was sale-priced in the iTunes Store last week for $5.99 and grew
by 1,000 percent in overall download sales. To promote the sale pricing,
Shelton's Twitter account sent out two Tweets during the week to the
country star's 6.8 million followers. His Facebook page, which has 8.3
million likes, also spread the word about the discount.
Over on the Digital Songs
chart, Magic's "Rude" holds at No. 1 with 195,000 downloads sold (up 6
percent), and Smith's "Stay With Me" rises 3-2 with 164,000 (up 1
percent). Iggy Azalea's "Fancy," featuring Charli XCX, climbs 4-3 with
155,000, and 5 Seconds of Summer's "Everything I Didn't Say" bows at No.
4 with 149,000. It's the sixth song released in the lead-up to the
debut of the band's new self-titled album, which was issued July 22.
Ariana
Grande's "Problem," featuring Azalea, is steady at No. 5 with 114,000
(down 8 percent), and Maroon 5's "Maps" rises 7-6 with 105,000 (down
less than 1 percent). Florida Georgia Line's "Dirt" drops 2-7 in its
second week, selling 99,000 (down 46 percent). Nico & Vinz's "Am I
Wrong" descends 6-8 with 96,000 (down 13 percent), and Sia's
"Chandelier" reaches the top 10 for the first time, flying 18-10 with
83,000 (up 29 percent).
Overall album sales in this past chart week (ending July 20) totaled 4.4
million units, up 7 percent compared with the sum lastweek (4.1
million) and down 8 percent compared with the comparable sales week of
2013 (4.7 million). Year-to-date album sales stand at 133.5 million,
down 15 percent compared with the same total at this point last year
(156.5 million).
Digital track sales this past week totaled 20.4
million downloads, up less than 1 percent compared with last week (20.3
million) and down 11 percent stacked next to the comparable week of 2013
(22.8 million). Year-to-date track sales are at 655.5 million, down 13
percent compared with the same total at this point last year (752.2
million).
Next week's Billboard 200 competes with the same week
in 2013 when: Selena Gomez earned her first No. 1 album with the
chart-topping debut of "Stars Dance," selling 97,000 in its first week.
The previous week's leader, Jay Z's "Magna Carta … Holy Grail,"fell to
No. 2 with 77,000 (down 40 percent).
First, Iggy Azalea nabs seven VMA nominations and now this: Weird Al has given her song of the summer contender, “Fancy,” the parody treatment with “Handy.”
“Handy,” the fourth track we’ve seen so far off of Al’s upcoming Mandatory Fun — following an amazing Lorde spin — sees the parody master himself all dressed up like a handyman, expounding on his Mr. Fixit Skills via a pretty sick flow.
Weird Al Yankovic has written songs about bologna, a homicidal Santa Claus, rocky road ice cream and the Amish. He has churned out 12 albums of parody songs in 28 years—on June 21, the release of Alpocalypse will bring his album tally to 13—that politely mock everyone from Nine Inch Nails to Billy Ray Cyrus to Chamillionaire. Oh, and he plays a lot of polka. If you spend a significant portion of your Internet time watching Lonely Island videos (or maybe that “Whole Foods Parking Lot” song that made the rounds last week) you have Weird Al to thank. Although he's not the first person to spoof existing music (people were already doing that in the 18th century with satirical operas—yeah, that must have been hilarious) he did bring the comedy novelty song to mainstream audiences. In 1984, Weird Al's Michael Jackson parody “Eat It” reached #12 on the Billboard 100 and “White & Nerdy,” off his 2006 album Straight Outta Lynwood, came in at #9. He's also responsible for the white man's Jheri curls, but we'll let that slide. (LIST: 140 Best Twitter Feeds) Weird Al possesses a fantastic ability to impersonate other artists (come on, have you heard his ballad “You're Pitiful?” It's almost more James Blunt-y than the real James Blunt) but he's actually at his best when he parodies a genre and not a specific musician. His 1985 doo-wop tune “One More Minute” is arguably one of the best break-up songs ever written—an opinion which we've found ourselves vehemently defending on more than one occasion (usually with friends, usually at a bar, usually after several beers, and usually no one agrees with us). Weird Al's new album, Alpocalypse, features musical send-ups of Taylor Swift, the White Stripes, Miley Cyrus and B.o.B. But the most talked about track is the Lady Gaga gag “Perform This Way." In the music video, a CGI-enhanced Weird Al wears costumes only slightly more absurd than the ones donned by the real Gaga. And is it just us, or does he look like Jane Krakowski?