Showing posts with label Box-Office Results. Show all posts
Showing posts with label Box-Office Results. Show all posts

Mar 2, 2015

The top films at the North American box office

(Reuters) - Following are the top 10 movies at North American box
offices for the three days starting Feb. 27, led by "Focus", according
to studio estimates compiled by Reuters.

1 (*) Focus..................................$19.1 million

2 (2) Kingsman: The Secret Service...........$11.8 million

3 (3) The SpongeBob Movie....................$11.2 million

4 (1) Fifty Shades of Grey...................$10.9 million

5 (*) The Lazarus Effect.....................$10.6 million

6 (4) McFarland, U.S.A.......................$ 7.8 million

7 (6) American Sniper........................$ 7.7 million

8 (5) The DUFF...............................$ 7.2 million

9 (**) Still Alice............................$ 2.7 million

10 (7) Hot Tub Time Machine 2.................$ 2.4 million

Last week's rank in parentheses. (*) = new release (**) = did not place in top 10

CUMULATIVE TOTALS

American Sniper...............................$331.1 million

Fifty Shades of Grey..........................$147.8 million

The SpongeBob Movie...........................$140.3 million

Kingsman: The Secret Service..................$ 85.7 million

McFarland, U.S.A..............................$ 22.0 million

The DUFF......................................$ 20.1 million

Focus.........................................$ 19.1 million

Still Alice...................................$ 12.0 million

The Lazarus Effect............................$ 10.6 million

Hot Tub Time Machine 2........................$ 10.3 million

Comcast
Corp's Universal Pictures released "Fifty Shades of Grey". "Kingsman:
The Secret Service" was released by 20th Century Fox, a unit of 21st
Century Fox.

"The SpongeBob Movie" and "Hot Tub Time Machine 2" were distributed by Paramount Pictures, a unit of Viacom Inc.

"The Lazarus Effect" was released by independent studio Relativity

Walt Disney Co. Disney released "McFarland, U.S.A."

"American Sniper" and "Focus" were released by Warner Brothers, a unit of Warner Inc.

Lionsgate released "The DUFF"

(Reporting by Chris Michaud)

 | Reuters

Feb 16, 2015

Top-grossing films for Feb. 13-15, 2015

fifty Shades of Grey 5 Shades


“Fifty Shades of Grey” easily
dominated the competition this Valentine’s Day weekend. The number of
weeks open for each film is in parentheses.

Weekend Total
in millions of dollars
1.  Fifty Shades of Grey (1) 81.7 81.7
2.  Kingsman: The Secret Service (1) 35.6 35.6
3.  The SpongeBob Movie: Sponge Out of Water (2) 30.5 93.7
4.  American Sniper (8) 16.4 304.1
5.  Jupiter Ascending (2) 9.4 32.6
6.  Seventh Son (2) 4.2 13.4
7.  Paddington (5) 4.2 62.3
8.  The Imitation Game (12) 3.5 79.7
9.  The Wedding Ringer (5) 3.4 59.7
10.  Project Almanac (3) 2.7 19.6


Source: www.boxofficemojo.com

Fifty Shades of Grey
sizzled at the weekend box office, setting new records for the
highest-grossing Presidents Day holiday opener of all time and ranking
among the biggest R-rated debuts in history.


The erotic drama performed like a comicbook movie, albeit one with
much naughtier costumes, picking up $81.7 million from 3,646 locations
over the three-day period. That easily trumped the holiday’s previous
record-holder, the 2010 debut of the romantic comedy “Valentine’s Day,”
which kicked off with $56.3 million.


“It had that whole sex thing going for it, it was edgy, and it
started a conversation,” said Paul Dergarabedian, senior box office
analyst at Rentrak. “It went beyond being a girls’ night out movie and
became a date night movie.”


“Fifty Shades of Grey” will do more than $90 million over the
four-day holiday, in addition to triggering a massive increase in heart
palpitations across the moviegoing public. Among the many high-water
marks the saucy tale has hit, the film’s debut is the second-biggest in
February history behind “The Passion of the Christ” and the
fourth-biggest R-rated premiere, trailing “The Matrix Reloaded,” “The
Hangover: Part II” and Mel Gibson’s aforementioned crucifixion tale.


It’s been more than a decade since “Basic Instinct” and “Disclosure”
heated up the box office with sexually charged bigscreen fantasies and
visions. The Internet and explicit cable TV shows had made kinky
cinematic adventures seem positively anachronistic, but by mixing
romance with bondage, author E.L. James was able to put a fresh spin on a
limp genre, selling 100 million copies of her book and inspiring the
smash hit movie. It’s an approach that could usher in a new period of
sexual candor in cinema — at the very least it seems likely to last
through “Fifty Shades” parts two and three.


In marketing materials, Universal Pictures, the studio behind the $40
million production, emphasized the love story elements of the tale of a
brooding billionaire (Jamie Dornan) who whisks a timid college student
(Dakota Johnson) away into a world of glider rides, pregnant pauses,
smoldering glances, impossibly tight jeans, and the occasional detour
into S&M.


“We worked to make this film accessible to the widest audience
possible,” said Nick Carpou, Universal’s president of domestic
distribution. “The campaign was carefully crafted to highlight the
quality of the production value and to heighten the romantic aspect of
the storyline and the interpersonal relationship at its heart.”


Universal had originally slated “Fifty Shades of Grey” for an October
2014 release but moved its premiere to Valentine’s Day. The timing
proved advantageous.


“The gamble paid off,” said Phil Contrino, vice president and chief
analyst at BoxOffice.com. “It flies in the face of what you’d expect to
be released on that day. It’s usually safe and non-offensive dramas and
comedies.”


“Fifty Shades of Grey’s” opening weekend audience was 68% female, 52%
Caucasian, 22% Hispanic and 15% African-American. The picture played
well on premium large format screens, which drew $7.4 million, as well
as on Imax, which contributed $2.1 million. Reviews for the film were
tepid, and it appears audiences agree with critics, handing the film a
lackluster C+ CinemaScore grade. Most analysts think the film will fall
sharply in its follow-up weekends.


The movie business tends to be fixated on youth, but this Presidents
Day was remarkable for the amount of adult-oriented content it boasted.
“Fifty Shades of Grey” wasn’t the only R-rated picture that did
impressive business — 20th Century Fox’s tongue-in-cheek spy thriller “Kingsman: The Secret Service” premiered to $35.6 million from 3,204 locations. It should do more than $41 million over the four-day holiday.


Like “Fifty Shades of Grey,” “Kingsman” had originally been scheduled
to debut last October, but Fox saw an opening for some
counterprogramming. It knew that “Fifty Shades” would be the clear
choice for female ticket buyers, allowing the studio to siphon off male
moviegoers.


“We knew [‘Fifty Shades of Grey’] was going to be a big movie, but it
seemed like everyone else was staying away, and we saw an opportunity,”
said Chris Aronson, Fox’s domestic distribution chief. “This is a
terrific, smart action movie that’s primarily geared toward males.”


Filmed for $81 million and directed by “X-Men:First Class” helmer
Matthew Vaughn, “Kingsman” features Colin Firth as a sort of ass-kicking
George Smiley and newcomer Taron Egerton as the street tough he takes
under his impeccably tailored wing. Fifty seven percent of the film’s
opening weekend crowd was male, and 60% was over the age of 25.


Last weekend’s champ, “The SpongeBob Movie: Sponge Out of Water,” was
able to mop up the family business, earning an estimated $30.5 million
for the three-day weekend. The animated sequel will have made more than
$100 million by the time the holiday ends.


Warner Bros.’ “American Sniper” blasted past another benchmark,
crossing $300 million at the domestic box office after adding another
$16.4 million over the weekend.


Fifth place finisher “Jupiter Ascending
insured that there will be writedowns at Warner Bros. The
science-fiction adventure took in $9.4 million for the three-day period
and has made $32.5 million since it debuted last weekend. Its $176
million production budget and tens of millions in marketing and
distribution costs make profitability nearly impossible.


Among milestones, “Big Hero 6″ passed “Beauty and the Beast” to
become the third highest-grossing Disney Animation release with $219.3
million, behind “The Lion King” and “Frozen.”


On the arthouse front, the Anna Kendrick musical comedy “The Last
Five Years” pulled in $45,107 across three screens, for a per-screen
average of $15,036. The Radius-TWC release also debuted on
video-on-demand. The indie label’s “Citizenfour,” the Oscar-nominated
documentary about Edward Snowden, made $31,138 this weekend from 17
theaters, pushing its total to $2.6 million. That’s a strong figure for
documentaries, which are lucky to reach $1 million theatrically.


Thanks to “Fifty Shades of Grey’s” utter domination, the Stateside
box office is poised to have a record-breaking Presidents Day weekend.
Rentrak estimates that ticket sales hit $209 million for the three day
period, eclipsing the $205 million mark set in 2010, and the overall box
office should top out at $240 million, squeaking ahead of the $239
million it hit that same year.


Sex, it seems, still sells, especially when it involves a riding crop.



 - The Washington Post

- Variety

BOX OFFICE: Another comic-book movie slays ‘em as ‘Kingsman’ ($35M) soars to second place


This time around, Colin Firth (portraying Harry Hart) draws dudes to
the theater in the spy thriller “Kingsman.”(Jaap Buitendijk/Twentieth
Century Fox)
WE ALL KNEW “Fifty Shades of Grey” would dominate, as it were. But blimey, what about Matthew Vaughn’s latest upstart action flick?

Yet again, a “comic book” movie has exceeded many expectations.

Fox’s
“Kingsman: The Secret Service” opened in North America this weekend to a
robust $35.6-million, according to studio estimates released Sunday;
final numbers are due Monday, with full holiday weekend totals to
follow.

Universal’s “Fifty Shades of Grey” made hay of
Valentine’s Day weekend, natch, forcing all challengers to submit with
an $81.7-million opening — the biggest Presidents’ Day weekend debut
ever for an “R”-rated film.

Bond wasn’t going to beat bondage
this weekend. But in a smart bit of counterprogramming, Fox trotted out
“Kingsman,” a stylish spy homage that vacuumed up much of the remaining
male audience (57-percent of its viewers were dudes; meanwhile, a
68-percent female audience were too otherwise tied up with Jamie
Dornan’s turn as Christian Grey).

“This is a terrific, smart
action movie that’s primarily geared toward males,” Fox domestic
distribution honcho Chris Aronson told Variety.

“Kingsman” again
teamed Vaughn with Mark Millar, after their 2010 film “Kick-Ass” grossed
nearly $100-million worldwide. Starring Colin Firth as the Bond-stylish
Harry Hart, “Kingsman,” of course, is loosely adapted from the 2012-13
comic “The Secret Service” (Icon) by Millar and Dave Gibbons.

“Kingsman”
tips its cinematic bowler not only to James Bond but also to such ’60s
TV spy series as “The Avengers” and “The Man From U.N.C.L.E.,” the
latter which starred Robert Vaughn — the “Kingsman” director’s namesake
who for decades was thought to be Matthew’s father, till shortly before
the filmmaker’s 2002 marriage to Claudia Schiffer. (Fun fact: Matthew
Vaughn’s actual dad, paternity tests showed, is a Windsor Castle-born
godson of King George VI — the same
monarch portrayed by Colin Firth in his Oscar-winning role for “The King’s Speech.” It’s a small island, after all.)

“Kingsman” held off last week’s box-office champ, “The SpongeBob Movie: Sponge Out of Water” ($30.5-million) for second place.

Now,
if he wants to make the ultimate Valentine’s Day superhero/erotic
mashup blockbuster, Vaughn can simply return to the X-franchise and make
“Fifty Shades of Jean Grey.”

FUN WITH NUMBERS

* “Kingsman”
still isn’t Vaughn’s biggest opening. That would be Fox’s “X-Men: First
Class” (2011), which had a domestic debut of $55.1-million — en route
to a $353-million global total.

* “Kingsman” has grossed nearly $80-million worldwide — almost exactly meeting its $81-million production budget already.

* Vaughn’s
lowest total as a director is 2005′s acclaimed “Layer Cake”
($2.33-million domestic; $11.9-million), which starred a future James
Bond: Daniel Craig.

* “SpongeBob” is nearing the
$100-million mark domestically and has grossed nearly $140-million
worldwide — on the verge of eclipsing the global total of $140.2-million
for the original film in the SpongeBob franchise.

* Still going
strong is the other currently big animated family film, “Paddington”;
the Brit bear has grossed $62.3-million domestically and $217-million
worldwide.

Writer/artist/visual storyteller
Michael Cavna is creator of the "Comic Riffs" column and graphic-novel
reviewer for The Post's Book World. He relishes sharp-eyed satire in
most any form.
- The Washington Post

Let's stop talking about Pacquiao-Mayweather

Pacquiao and Mayweather have behaved in a manner tantamount to
mocking the public as fans continue to have their hopes of a fight
announcement crushed

Manny Pacquiao and Floyd Mayweather have acted in a manner tantamount to mocking the public as boxing fans continue to wait for the fight to happen
Manny
Pacquiao and Floyd Mayweather have acted in a manner tantamount to
mocking the public as boxing fans continue to wait for the fight to
happen

MANILA, Philippines - The boxing fans are angry, and I don’t blame
them. The public has every right to be upset after six years of waiting
for Manny Pacquiao and Floyd Mayweather to set aside their egos and make
the only fight that matters to the average person on the street.

The tipping point, where the fans revolted en masse at being teased
into boxing blue balls once more, came early Sunday Manila time, when
reputable fight writer Gareth Davies of the UK-based Telegraph cited a
source in Pacquiao’s camp saying that the fighters had agreed on a $250 million pot and that Pacquiao had “completed his contractual negotiations.”

Showtime sports executive Stephen Espinoza threw cold water on those
claims immediately - as he has often done - and joked that Pacquiao had
signed an “imaginary contract” as the real contract had yet to be
finished. Espinoza is outspoken and confrontational, but a liar he is
not.

Some fans have begun to say that they no longer care about the fight
and wouldn't want to watch it. They're lying, but they're also tired of
being made a fool of for so long. Each false confirmation has left fans
further embittered by an institution that is overwhelmingly more of a
business than a sport.

Both sides, with their respective advisers and promoters, have
engaged in a full-on public relations war since the fight first became
relevant in 2009, looking to pin the blame on the other and come out
looking more eager to fight.

But at this point, it no longer matters who is to blame. The only ones who really end up taking the brunt are the fans.

It’s the die-hard boxing fans who feel the letdown most, like Dónal
Burleigh, who tweeted to me: “I hope #PacquiaoMayweather is announced
soon. I'm almost constantly checking Twitter for updates.”

Matters have become more inflamed over the past month, even as the
two engage in what appears to be the most earnest round of negotiations
to date.

The initial reports were encouraging as both parties agreed on most
of the major sticking points: a 60/40 purse split, random
performance-enhancing drugs testing, plus the date and venue.

Since then, the two have behaved in a manner tantamount to mocking the public.

Pacquiao has repeatedly stated that he has signed a fight contract
and is waiting on Mayweather’s signature. At the same time, his
promoter, Bob Arum, has admitted on several occasions that an agreement
is still being solidified. How can there be a contract to sign for a
deal that has yet to be agreed upon?

And now for Mayweather, who at one point during the 2010 round of talks denied that negotiations had even occurred, only to have then-HBO Sports president Ross Greenburg (who had been acting as mediator) confirm that they had taken place.

The sport’s current pound-for-pound best fighter and undisputed king
of the box office has used his social media channels to taunt the
public, showing his apparent lack of urgency in making the fight
by posting photos of himself on vacation in Jamaica with the
accompanying message "I'm just going to continue to travel and explore
the world on my private jet.”

Then, after the two met face-to-face for the first time on January 28
at a Miami Heat basketball game and spoke privately in Pacquiao’s hotel
room, Mayweather's camp clandestinely recorded video of the private conversation, which made the encounter appear to be nothing more than an attempt to garner public opinion on his side.

At this point, it would’ve been better if the two simply came to
blows right there at center court of the American Airlines Arena. At
least then the fans would’ve gotten what they wanted.

The fight promises to be the most financially lucrative in the
history of the sport despite both having scored just one knockout
between them in the last five years.

They’ve got the people’s money, what more do they want?

The media hasn’t helped matters either by reporting on negotiations
(I’m guilty of this as well). The mad dash to edge out competition and
be the first to break what would be the biggest sporting news of the
decade comes from the core of what drives every serious reporter.

But times have changed, and Mayweather no longer has to go to a
reporter to announce a fight. Mayweather can easily reach the public
through his 5.58 million followers on Twitter, and has begun breaking
news on the Instagram-like app Shots, in which he is an investor.

Kudos to New York Daily News reporter Mitch Abramson for going to the
only source who can confirm the fight, Mayweather himself. Abramson
approached Mayweather at the NBA Dunk Contest on Sunday Manila time in
Brooklyn to ask about the fight.

Mayweather responded: "Is this a boxing match? I'm at an all star
event. Please respect my privacy. I don't want to answer any questions."

In trying to beat the others to the break, the media has ended up
with egg on their faces from unnamed sources who say the fight is close.
It isn't because they’re bad reporters, but because only Mayweather can
announce the fight. Confirmation will come on his terms and no one
else’s.

That’s why, from this point forward, I vow to not report on the
negotiations until a fight is announced, either between Pacquiao and
Mayweather or whomever they choose to fight instead. I challenge the
rest of the media to do the same as well.

The fight will either happen or it won’t, but to contribute to another fan letdown is a disservice to readers.

Let’s instead focus on the hungry fighters in the sport who could use
the attention, like Gennady Golovkin or Naoya Inoue, whose recent
in-ring performances have served to distract us from the 50 shades of
bullshit going on outside of it.

So on Monday morning, when I watch the NBA All-Star game, it won’t be
because I believe the fight will be announced at tip-off. I'm going to
watch because I want to see LeBron James and Dwyane Wade play on the
same team again. - Rappler.com

Ryan Songalia is the sports editor of Rappler, a
member of the Boxing Writers Association of America (BWAA) and a
contributor to The Ring magazine. He can be reached at
ryan.songalia@rappler.com. Follow him on Twitter: @RyanSongalia.

Floyd Mayweather and Manny Pacquiao agree to $250 million mega-fight

The most expensive fight in boxing history has just been set. Manny Pacquiao and Floyd Mayweather have agreed to a mega-fight worth $250 million according to The Sunday Telegraph.

An official announcement is expected soon with the date likely being
May 2 at the MGM Grand in Las Vegas. In fact, Floyd Mayweather may even
announce the fight tonight at the opening tipoff of the NBA All-Star
game.

A few days ago, Mayweather posted a video on Instagram showing that talks with “Pacman” were still ongoing. I am very hopeful that this is finally going to happen!

manny floyd
From The Telegraph:

A source close to the Filipino boxer and congressman
revealed to The Sunday Telegraph that Pacquiao completed his contractual
agreements on Saturday and that Mayweather is set to sign and will
announce the contest which is expected to be worth $250 million in the
coming days.

Mayweather was in New York on Friday, buying hundreds of thousands of
dollars worth of jewelry, and there are indications that the unbeaten
American boxer could even decide to announce the superfight officially
at the NBA All-Star Game tip-off, which takes place on Sunday at Madison
Square Garden.

“Manny has 100 per cent signed his side of the deal,” the source told
Telegraph Sport. “It is now over to Mayweather to close the deal and
announce the fight.” Pacquiao himself revealed Friday that he has
started training in General Santos City, Philippines for his next fight.
I am going to be glued to my TV tonight for the NBA game to see what Floyd Mayweather has to say. Hopefully it’s official!

Update:

NOTE: Stephen Espinoza, executive vice president and
general manager of Showtime Sports, is dousing water on this report on
his Twitter. His operative term is that the “contract is not finished
yet” and the source is lying. Seriously? A confirmation-denial? Talk about passive-aggressive!

No wonder the fans are pessimistic about these jokers.

- Report

Feb 2, 2015

'American Sniper' is top box office hit for third week





Actress Sienna Miller (L) and director Clint Eastwood arrive for the premiere of the film ''American Sniper'' in New York, December 15, 2014.  REUTERS/Carlo Allegri
(Reuters) - Box office juggernaut "American Sniper" held the top spot
at U.S. and Canadian box offices over the weekend with $31.9 million in
ticket sales, according to studio estimates.


The Oscar-nominated war film directed by Clint Eastwood and starring
best actor nominee Bradley Cooper as a Navy Seal sharpshooter easily
triumphed over several new releases as it closed in on a domestic total
of $250 million since opening on Jan. 16.

Family film
"Paddington", based on the series of classic children's books about a
loveable bear in search of a home, finished in second with $8.5 million
for Friday through Sunday.

In a virtual tie, it sold just $5,000
more in tickets than sci-fi time travel tale "Project Almanac," which
debuted this weekend with $8.5 million.

"Sniper"'s continued strong performance helped drive overall

box
office performance on Super Bowl weekend, when many Americans are
focused on the final game of the football season. Ticket sales were up
about 23 percent from the same weekend a year ago, according to tracking
firm Rentrak.

"American Sniper" was released by Warner Brothers, a
unit of Time Warner Inc. "Paddington" was released by The Weinstein
Company. Paramount, a unit of Viacom Inc., distributed "Project
Almanac".

(Reporting by Chris Michaud; Editing by Stephen Powell)











 | Reuters

Jan 11, 2015

The Riskiest Box Office Bets of 2015

Riskiest Box Office Movies Earnings 2015 The Riskiest Box Office Bets of 2015
Each year Hollywood brings hundreds of new cinematic offerings to theaters – some are sure-fire hits (Star Wars Episode VII: The Force Awakens  and The Avengers 2: Age of Ultron), while other big budget films’ financial futures are not quite so set in stone. There are many reasons why a film could struggle to recoup a studio’s investments – popularity of the source material, release date, attached cast and crew, to name a few – but there are still many risks associated with making a film for the modern movie market.The films in our list this year aren’t ones we necessarily think will be critical failures or could show up in our worst films of 2015 article come December- in fact, some of the films mentioned below show up in our Most Anticipated Movies of 2015. The only reason we have selected certain films for this list is because we think they have an additional obstacle to overcome in order to being financially successful. Let’s take a look at the Riskiest Box Office Bets of 2015

The Seventh Son

The Seventh Son Jeff Bridges Alicia Vikander Ben Barnes Julianne Moore 570x320 The Riskiest Box Office Bets of 2015
Opens: 2/6 – Budget: $100M
The Seventh Son took a long, strange road into theaters. Warner Brosannounced the film in 2010began filming in 2011, made an appearance at Comic Con in 2011 and 2013, eventually showing up as one of our Most Anticipated Films of 2013…but then the demons started hitting. The film (based off Joseph Delany’s series of fantasy novels, The Wardstone Chronicles) was passed from Warner Bros to Universal Studios and its release date got pushed back twice - typically not a sign of confidence in a film.
The books have a strong fan following but most mainstream audiences aren’t familiar with the material – meaning, this film could very well struggle to find an interested and, more importantly, paying audience.

Jupiter Ascending

Jupiter Ascending Channing Tatum Mila Kunis1 570x320 The Riskiest Box Office Bets of 2015
Opens: 2/6 – Budget: $175M
The Wachowskis hit a big sci-fi home run with their original film The Matrix, eventually earning close to a billion dollars over the course of the trilogy. They clearly have an eye and talent for films set in dystopian futures but with large-budget box office failures also under their belt like Speed Racer and Cloud Atlas, we have to wonder if they’ve simply have lost their way, or have audiences grown tired of their particular brand of filmmaking?
Jupiter Ascending has the distinct privilege of being the only film listed in ourRiskiest Box Office Bets in back-to-back years. That’s because its release date was pushed back from mid-summer 2014, to early 2015 to “allow for more post-production work.” All that work may have paid off as the film’s showcase was one of the Top 6 Things We Saw at Comic Con in 2014. We think it’s time for another really good film using the Wachowskis’ unique take on science fiction, but is the world willing to fork over $200M to see it?

Jurassic World

Jurassic World stegosaurus 570x320 The Riskiest Box Office Bets of 2015
Opens: 6/12 – Budget: $150M
Dinosaurs haven’t been seen roaming the earth for millennia, that is until the early-90s when Steven Spielberg and digital effects house ILM brought them back to life in spectacular fashion for Jurassic Park. The original film managed to amass over a billion dollars at the box office, with each sequel drawing in significantly less. But while many fans have long clamored for a fourth installment of the franchise, it took 14 years for it to actually happen.
We’ve discussed belated sequels before and what their chances of success are historically (Hint: It’s not good). This long pause between films could either really hurt it (fans may no longer be impressed with a CGI-dino extravaganza) or it could rekindle the audience’s fascination with the toothy beasts – because come on, who doesn’t love dinosaurs? Jurassic World will get a boost by having Chris Pratt (who is the hottest commodity in Hollywood at the moment) cast as the leading man but even that may not be enough to make audiences pull out their wallets.

Terminator Genisys

Terminator Genisys Matt Smith Jason Clarke Emilia Clark Jai Courtney 570x320 The Riskiest Box Office Bets of 2015
Opens: 7/1 – Budget: $170M
The first three films in the Terminator franchise did exceptionally well at the box office, scoring high marks with both critics and audiences around the world – however, the fourth film didn’t fare as well. Terminator: Salvation struggled at the domestic box office, needing a push from the foreign markets to even break its production budget of $200M. Bringing back Arnold Schwarzenegger to star in the film doesn’t guarantee success either, as the former-governor doesn’t seem to have the same box office appeal as he did in the ’80s and ’90s (his last four films have grossed $87M domestically combined) - meaning, Terminator: Genisys could likely face the same uphill battle at the box office as its predecessor.
Adding to the risk, filmmakers have decide to abandon the timelines set byTerminator: Rise of the MachinesTerminator Salvation and The Sarah Connor Chronicles to explore a completely new trilogy storyline beginning withTerminator: Genisys. If they succeed, then this film could revitalize the franchise into something nearly as good as Terminator and Terminator: Judgment Day. If it fails, then its possible the studio abandons the project altogether. For now, you can watch the first trailer for the film and draw your own conclusions.

Ant-Man

Ant Man Movie 2015 Comic Book Origin Costume Powers 570x294 The Riskiest Box Office Bets of 2015
Opens: 7/17 -Budget: Unknown
To date, Marvel has yet to have a true financial failure at the box office, and they seem to be unstoppable at finding success with whatever second or third tier character – no matter how obscure – they choose to give a solo film. Guardians of the Galaxyafilm based on a virtually unknown property to mainstream audiences, managed to dominate the theaters for a couple of months and topped the charts with a staggering $770M haul. The question isn’t whether Ant-Man (a production that was in limbo for years and experienced setbacks right up until filming started) will be successful financially, but whether it can become another one of Marvel’s box office powerhouses this summer.
With the film situated between The Avengers 2: Age of Ultron and Captain America: Civil War, the studio needs both it and the character to achieve the same level of success as their other properties, in order to properly maintain their successful shared universe. Marvel and Disney have been betting on double zero on the box office roulette wheel this whole time, and up to now, all that risk has paid off. But it feels like any moment the box office roulette ball could land on red. Could Ant-Man be their first “flop” (by Marvel standards)? Watch thefirst trailer for the film and make your own decision.

Pan

Pan Levi Miller 570x320 The Riskiest Box Office Bets of 2015
Opens: 7/24 – Budget: Unknown
People all over the world have been in love with the boy from Neverland, Peter Pan, for over a hundred years (he was first introduced in the 1902 novel The Little White Bird by J. M. Barrie). There have been many books, plays, movie adaptations (animated and live-action), TV shows, and even a live television musical performance – all revolving around the mischievous flying boy who never grows up. Clearly, audiences have a desire to continue watching anything having to do with Peter Pan…or do they? In December 2014, the NBC musicalPeter Pan Live! scored horribly low in the ratings, as only 9.2M viewers tuned in to watch Alison Williams sing and fly for 3 hours.
Another factor that could potentially keep Pan from being a box office success, is its subject matter. Creating a non-existent origin story for a classical character beloved by generations across the world can be tricky to pull off (see: Oz the Great and Powerful), so if director Joe Wright doesn’t hit on all cylinders with this film, audiences could potentially throw it to Tick-Tock at the box office.

The Fantastic Four

The Fantastic Four 2015 Johnny Storm Mr. Fantastic The Thing Invisible Woman 570x320 The Riskiest Box Office Bets of 2015
Opens: 8/7 – Budget: Unknown
No film in this list (or in 2015 for that matter) has more box office risk associated with it than Fox’s reboot of The Fantastic Four. The film was mostly filmed in secrecy over the past year and, except for a leaked picture of The Thing andDoctor Doom, there hasn’t been any promotional material released for the film at all. We expected to see the movie make an appearance at Comic Con 2014 butthat didn’t happen (maybe 2015?), but the lack of even a poster or logo for the film is befuddling at best.
Fox has made several risky moves with this Fantastic Four reboot: choosing found-footage director John Frank, deciding to use an original story instead of once from comic canon, making Doctor Doom an anti-social programmer, and the real internet-breaking (sorry Kim Kardashian) casting of Michael B. Jordan as Johnny Storm. As some have pointed out, Fantastic Four is growing somewhat stale by modern standards and the books aren’t necessarily flying off the shelves – in fact, after April 2015 Marvel is canceling the long running series. Frank’s unique take on the property could just what the franchise needs to give it a breath of fresh air. It’ll be interesting to see if audiences agree.

The Man from U.N.C.L.E.

The Man from UNCLE Logo 570x320 The Riskiest Box Office Bets of 2015
Opens: 8/14 – Budget: $75M
The Man from U.N.C.L.E. was a hit television show about an international spy organization starring Robert Vaughan and Illya Kuryakin that ran for over 100 episodes starting in 1965. The Emmy-awarding winning show was so popular that it spawned a spinoff (The Girl from U.N.C.L.E.), 8 feature-length films, a series of comic books and over 20 novels. All that former popularity hasn’t helped get the film made though, as it’s been five years in the making, has switch directors twice (David Dobkin to Steven Soderbergh to Guy Ritchie) and recast the lead character twice (George Clooney to Tom Cruise to Armie Hammer).
Of the 80 or so TV show movie adaptations currently in existence, only a handful can be considered “successful” at the box office (Star TrekMission Impossible21 Jump StreetThe Equalizer) but generally, they tend to underperform financially. Costar Armie Hammer’s last TV show-inspired movie, The Lone Ranger, was one of the biggest box office flops of 2013 despite being backed by Disney and having Johnny Depp’s name attached. Only time will tell if Warner Bros and director Guy Ritchie can make audiences nostalgic enough to show up for movie about a fifty-year old TV show.

Hitman: Agent 47

Hitman Agent 47 Rupert Friend 570x320 The Riskiest Box Office Bets of 2015
Opens: 8/28 – Budget: Unknown
Even though it was widely panned by critics and received lukewarm reviews from audiences, the first Hitman film still managed to rake in over $130M between the worldwide box office and DVD sales on a modest of budget of $18M. Jump forward eight years and that hefty return the studio once enjoyed on its investment might not happen a second time for Hitman: Agent 47. According to game maker Square Enix, the entire Hitman game series (which includes 5 installments) has sold over 8 million units since the franchise started in 2000 – so at least the game still has some popularity from which to draw.
As we see it, this movie has 4 issues to overcome in its quest for box offices success: 1. It’s Based on a Video Game – Video game movie adaptations, with few exceptions, struggle to find a paying audience, 2. Is it Still Relevant – By the time the film is released the game will have been out of the mainstream gaming market for months (Hitman: Absolution released in 2014), 3. Experience– Skip Woods is making his feature film directorial debut (he has only directed commercials before this), 4. No Promotion – There’s been very little news promoting the film since its announcement 5 years ago.

Crimson Peak

Crimson Peak Family Crest 570x320 The Riskiest Box Office Bets of 2015
Opens: 10/16 – Budget: Unknown
Director Guillermo del Toro has a somewhat bittersweet relationship with the box office. While his movies all tend to do fairly well overseas, they can’t seem to catch on with the domestic movie-going audience. Sure, he has a very large and loyal cult following, but that hasn’t really translated into a large box office return for the studios. As an example, after the trailer for Pacific Rim (his last theatrical endeavour), most fans (including us) were looking forward to watching giant aliens and robots clash – however, it failed to become the summer blockbuster it was intended to be.
The gothic ghost story Crimson Peak shouldn’t sport the same hefty $190M price tag as Pacific Rim, so finding financial fortune may not be all that difficult, but it’s becoming clear some audiences either don’t like del Toro’s brand of monster/ghost story-telling or don’t quite appreciate his unique eye for the macabre. The movie should get a decent bump with the casting of Tom Hiddleston as the leading man, but as studios are starting to find out (see: Disney and The Lone Ranger), casting a popular actor doesn’t always mean box office success.

The Martian

The Martian Andy Weir Novel Cover 570x320 The Riskiest Box Office Bets of 2015
Opens: 11/25 – Budget: Unknown
The Martian is a sci-fi film based on Andy Weir’s best-selling novel and directed by Ridley Scott…that almost no one knows about but should. The book is a survival tale about NASA astronaut Mark Watney (Matt Damon) who uses his MacGuyer-like abilities to endure the harshness of the Mars surface after being stranded on the big red planet. Between its amazing sci-fi director, star-studded cast and tense storyline, there’s plenty to be excited about regarding The Martian.
However, finding an audience for this film may not be an easy task as audiences no longer seem to flock to theaters to see films simply because of the name “Ridley Scott” is attached as they once did. Scott’s last four offerings (Exodus: Gods and KingsThe CounselorPrometheusRobin Hood) all struggled to connect financially with the domestic audience, relying heavily on foreign markets to edge them barely into the black. Scott is still widely considered to be a fantastic sci-fi movie director, – thanks in large part Blade Runner and Alien – something the studio is no doubt banking on heavily to push The Martian to the top of the box office charts this fall.

Conclusion

Jupiter Ascending Channing Tatum Mila Kunis1 570x320 The Riskiest Box Office Bets of 2015
There’s little doubt that 2015 will offer some excellent movie choices, and hopefully all of them are winners critically and financially. Realistically, that will most likely not happen and some of the films on this list could ultimately struggle to be financially productive for their respective studios.
As we’ve done for the past three years, we’ll take a look back at our predictions in December to see which films were worth the investment risk and which ones weren’t worth it. For now, tell us in the comment section which films you think are the Riskiest Box Office Bets of 2015.
Be sure to also check out our other 2015 previews as well:
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